Untitled courtesy of http://blog.danpontingstudio.com |
Cindy Sherman is an artist who
emerged in the late 1970’s first as a performance artist then as a
photographer. Sherman’s work challenges the stereotypes of society. Her first
complete work Untitled Film Stills
comment on women’s role that emerged in the 1950’s and 1960’s. In later works she comments on the male
“master/genius” artists. Her work comments on the role that these stereotypes play
in our culture and in art while at the same time do not reveal the true Cindy
Sherman.
Untitled courtesy of svlstg.com |
During this time Sherman’s work was
wildly popular but more so it asserted her power over representation. As the
photographer and model Sherman was able to depict herself however she imagined,
in later work she uses readymade dolls in sexually charged scenes. Her control
over the depiction and comments on social stereotypes is what is more
controversial then the photos themselves. The Feminist Art movement of the
early 70s allowed Sherman to play with gender roles and stereotypes, “enabling
her to act out the psychoanalytic notion of femininity as a masquerade.”(WC
383)
Untitled Film Still #13. 1978. Collection The Museum of Modern Art, New York. |
Moma.org who owns the whole series
writes “In the Untitled Film Stills there are no Cleopatras, no ladies on
trains, no women of a certain age. There are, of course, no men. The sixty-nine
solitary heroines map a particular constellation of fictional femininity that
took hold in postwar America—the period of Sherman's youth, and the ground-zero
of our contemporary mythology. In finding a form for her own sensibility,
Sherman touched a sensitive nerve in the culture at large.” This nerve was connection
over recognizing that particular stereotype depicted and moving away from that
social construct via the Feminist Movement. (Let’s not forget the 80s bring in
Reagan and his conservative ideas whomp whomp)
After the start of her career Sherman continued to push the societal limits. Her doll series uses prosthetic dolls positioned in sexual positions sometimes, grotesque positions challenging the viewers comfort level. The fairy tale and disasters series show fantastic and lurid imagery that one would not expect from happily ever afters. Each series has put Sherman in different narratives, currently she is doing a series on contemporary types of older women, specifically seen around NYC.
After the start of her career Sherman continued to push the societal limits. Her doll series uses prosthetic dolls positioned in sexual positions sometimes, grotesque positions challenging the viewers comfort level. The fairy tale and disasters series show fantastic and lurid imagery that one would not expect from happily ever afters. Each series has put Sherman in different narratives, currently she is doing a series on contemporary types of older women, specifically seen around NYC.
Untitled Film Still #84. Collection The Museum of Modern Art, New York. |
Work Cited:
Chadwick, Whitney. Women, Art and Society, Ed.
Thames and Hudson. New York, New York, 2007.print.
www.moma.org
Hunter, Jacobus, Wheeler. Modern Art, 3rd Edition
Prentice Hall. New York, New York, 2004.print
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