Victorious Secret Women
Breakout!
The
expected role of women in Europe during the Middle Ages was very limited
compared to contemporary times.
The Guerrilla Girls quote, “Many of these artists were women, either
working in businesses owned by male family members or living as nuns in
convents. “Guerrilla Girls, p.
19) It is noted that the only way
for a women to be able to gain some kind of freedom was to become a nun or to
work under a male family member.
What was expected of women was to only marry, and to give her dowry to
her future husband, and if she wasn’t married she as to love in a household of
a male relative or usually joined a convent. The Guerrilla Girls say, “Joining a convent freed women from
the demanding roles of being wives and mothers. For some it was to live a religious life, for others it was
because their parents had blown the family fortune on their sisters’ dowries. (Guerrilla Girls, p.21) Moreover, women were extremely limited
politically and independently.
Artistically they also were not given the credit they should have
received but instead the dominant male of the family/husband during the Middle
Ages received the credit done by women.
The role of women of
the Renaissance Era was the time when women began to slightly rebel against
what was expected of them. The Guerilla
Girls quote, “One of the few ways a woman could work as an artist was to be
born into a family of artists that needed assistance in the family workshop.”
(Guerrilla Girls, p. 29) If women were
lucky enough to become an artists was only through working within the family. What about the women who weren’t blessed with
a family of artist? I suppose their
chances were shot. Women during this
time period were brave enough to paint and illustrate the struggles of a
women’s life through their paintings, for instance take Artemisa Gentileschi
for example. Artemisa’s paintings can
seem a bit revengeful and blunt but are extremely essential help generations to
come the understanding of the struggles during the Renaissance. Artemisa’s “Judith Slaying Holofernes, 1620”,
Guerrilla Girls quote, “The biblical story of a Jewish women who kills an
Assyrian General, an enemy of her people, by pretending to seduce him.” (Guerrilla Girls, p. 37) This painting represents the power and injustice
feeling of a woman during the struggling period of the Renaissance.
The 19th century was the time of major transition for women. During this century women began to
recognize the split between being a “housewife”, and “work”. Many forms of art such as paintings and
quilting told stories of the struggle it was for women also the culture during
the 19th century as well as the Middle Ages. Chadwick writes, “The design
characteristics of nineteenth century African American quilts-vertical stripes,
strong colors and shapes, asymmetry and multiple pattering-often the roots
(though sometimes disguised) in the forms and elements of African Cosmology and
mythology.” (Chadwick, p. 210)
Moreover, in the quilts stories were told, but also were disguised. These women artists used art to say a
message as a way of communication to the public. For example the “slave quilt code”, is the idea that African
American slaves used quilts to communicate information about how to escape to
freedom. (Wiki) Art made by women was not only to tell
the struggles of women but of the generation and cultural struggles.
Overall, women not only were fighting for their rights, but also were undercover activist. With their artwork women were able to illustrate the contemporary social issues of their generation, and culture, as well as women issues. Women have a great amount of importance throughout our history in helping us understand what women struggles were from a women’s perspective. Thanks to the help of women artists such as Christine De Pizan, Sofonisba Anguissola, Elisabetta Sirani, Artemisia Gentileschi, and Harriet Powers, and etc., we are able to learn through their art the pros and cons of being a women during their time period.
· * The Guerrilla Girls. The Guerrilla Girls’ Bedside Companion to the History of Western Art. New
York, NY: Penguin Group, 1998. Print.
· * Chadwick, Whitney. Women, Art, and Society. 4th ed. New York, NY: Thames
and Hudson, 1990, Print.
· *“Quilts of the Underground Railroads.” Wikipedia: The Free Encyclopedia. Wikimedia
Foundation, Inc., http://en.wikipedia.org/wiki/Underground_Railroad_quilt
Pictures:
*This link has awesome pictures and
they’re humorous!
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