Throughout
the Middle Ages, everything in society was primarily dominated by males. The
women, during this time, had to serve for their family. They had to obey to the
males in their lives, whether they were their husbands, brothers, and/or fathers
, without showing resistance of any kind. “Women’s social roles remained
circumscribed by a Christian ethic that stressed obedience and chastity, by the
demands of maternal and domestic responsibility” (Chadwick, 44). Women at the
time had little to no freedom outside of
her home due to the norms in the society . Many of these women were also
uneducated which made it even harder for them to work against the norm. In some sense, they
were stuck in their lifestyle.“Education
was thought to interfere with a woman’s ability to be a good wife and mother.
Almost no women were taught to read and write” (Guerrilla Girls, 22). Due to the
fact that these women didn't have any type of education, their job
opportunities were limited. However, they were able to work for their family
business, in the church, and/or do some type of embroidery and needle-work. Those
who did work, any income that they made had to be handed over to either their
father or husband. “Almost all women worked in the some family business, but
the fruits of their labors belong to men-their fathers, husbands, or brothers”
(Guerrilla Girls, 22). The early female artists of the time also handed all the
money they made from their artwork to their superior counterparts, fathers or
husbands.
Soon,
upper-class women began to producing art as well become educated. “Most of the
art during this period was produced in monasteries. Access to education and the
convent, the center of women’s intellectual and artistic life from the sixth to
sixteenth centuries, was often determined by noble birth” (Chadwick, 44). The
convents opened a new world for women at the time. The reason being that education and art was always never an option
for these women. As a result of the new
opportunity, women were able to hold several different jobs
from artists to merchants. However, they were still prohibited from teaching at
schools.
During
the Renaissance, women started to join
guilds. Guilds were types of organizations or unions that made it possible for
women to accomplish much more than in previous years. As a result of the guilds,
the number of female artists were increasing. “Guilds became agencies of
communal authority rather than corporate interest groups. Women’s relationship
to the guilds became inseparable from their broader social role – a role which
was being radically transformed by the city’s new wealth and political power,
and by the new opposition of public and private spheres” (Chadwick, 69). In
order to become a part of a guild, the woman must be born into a family with
some sort of artistic background. “Their careers were made possible by birth
into artist families and the training that accompanied it, or into the upper
class where the spread of Renaissance ideas about the desirability of education
opened new possibilities for women” (Chadwick, 76). An example of woman who were
able to join a guild was Sofonisba Anguissola. She was from Bologna, which was
the only place that allowed women to be educated; she who was educated by her
father, Amilcare Anguissola. He was friends with Michelangelo at the time, and so he sent
Sofonisba’s “Boy Bitten by Crayfish” to him. Due to this huge advantage and opportunity,
“Sofonisba Anguissola’s example opened up the possibility of painting to women
as a socially acceptable profession, while her work established new conventions
for self-portraiture by women artists and Italian genre painting” (Chadwick, 77).
Rosa Bonheur, Highland Raid, 1860; Gift of Wallace and Wilhelmina HolladayThis painting showcases the artist’s ability to capture the rawness of the animals in such great detail. |
Arts
and sciences began expanding and taking a huge leap in a good direction during
the Renaissance. The spread of knowledge and education was
increasing by the tons. Feudalism died out
and Capitalism was introduced. There was a decline in the emphasis of religion because
there was a rise of humanism. Thus, creating
a slight change in artwork. Instead of having religious art work, it was more about nature and science. When the 19th century
approached, women wanted to expand on their artwork ideas. An example of this
kind of artist is Rosa Bonheur. She was the “most famous woman artist of the
nineteenth century” (Chadwick, 192). She was born into a family of political
idealists, her father was a humanist and wanted women to be educated. Her
father wanted her to “fulfill his radical Saint Simonain ideals about women.
Those ideals included the androgynous clothing styles and sex roles that shaped
Bonheur’s adoption of cross dressing and the ambiguity of her public gender
identity” (Chadwick, 193). As a result, Bonheur's artwork interests were on animals
and landscape.
Over time, the roles of women have
visibly changed. Throughout those changes, women were always able to find a way to make
art regardless of any difficulty that may have. In the Middle Ages, women could
become nuns in order to have the freedom to make art. During the Renaissance,
only women lucky enough to be born into an educated and artistic family had the
opportunity to become artists. During the 19th century, women were expected to
be domesticated, therefore, most of the
artwork from women in the 19th century were that made of quilts and other
things.
Bibliography:
Chadwick, Whitney. Women, Art and Society, Ed.
Thames and Hudson. New York, New York, 2007.print.
Girls, Guerilla. The Guerilla Girls’ Bedside Companion to the History of Western Art,
New York: La Guardia Place, 1998.print.
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