Tuesday, October 8, 2013

Group 5 Presentation

American Art in the Nineteenth Century
  • Separation of work and home created a new realm for women, the domestic space.
  • Christian Reform Movement became a cause of the new middle class domestic women
    • Abolition, suffrage and temperance 
Lilly Martin Spenser

Lilly Martin Spenser, Self Portrait
The “French” breadwinner
(1822-1902)
English born, American raised from French decent
Educated equally with her brothers and studied privately with James Henry Beard
Sole provider for her husband and 13 children
1851 admitted into the National Academy of Design 
Peeling Onions






Lilly Martin Spenser, Peeling Onions 1852

Displays Spenser’s technical skills as well as commentary on domestic life
Double meaning showing the labors of domestic life as well as the woes of being in that life



Mona Shamali
 
Mona at the opening of her fall show in NYC
The Un-Traditionalist
(1979-present)
American born, California raised, Iranian decent
International Affairs teacher in NYC
Addresses personal struggle of being not Iranian/American 
The Impossible divide of Feminine and Nature 2013
Two worlds in one identity
Struggle between independence and tradition, modesty and sensuality
Harriet Powers
Pictorial Quilts c.1895-98
















African American woman born on October 28, 1837
Born into slavery in rural Georgia
Harriet was married had children
 Freed after the Civil War until her death in 1910

Kyra Hicks

The Activist Quilter

Born on October 1, 1965 in Los Angeles, California
Author, Quilter and Quilt Historian
Graduated from Howard University
Blogger for the Huffington Post arts section
Black Barbie Quilt, 2009
Speaks to not having a place in popular culture for African American women
  













Harriet Goodhue Hosmer

The Playful Tomboy
(1830-1908)
Born in Watertown Massachusetts, was an Americam Neoclassical sculptor.
Won complete financial independence through her work.
1852 she traveled to Rome to study sculpting under John Gibson.



  



 Zenobia in Chains
(1859)
Zenobia is presented as a queen who despite being captured and humiliated,  remains strong, not succumbing to defeat.


Michelle Pentz
Michelle Pentz at work in her studio from youtube interview

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